香港新界葵興大連排道21-33號宏達工業中心7樓10室
Room 10, 7th Floor, Vanta Industrial Centre,21-33 Tai Lin Pai Road,Kwai Hing, NT, Hong Kong
mic18.com
0930 - 7pm
0930 to 5pm
Sunday / PB
Closed
Pro Audio / 錄音器材 / 零售批發 / Shure 產品 (香港及澳門) 代理商 / Harman 產品 (香港及澳門) 代理商: JBL 及 Crown / QSC 香港代理
發售及安裝各類 PA系統
StudioLive AR22 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the 12 mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; 3-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicated bus, for feeding stage wedges, a headphone amp, or an in-ear system. You also get control-room outputs with level control to feed your studio or front-of-house monitors.
Most mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.
Below are the minimum computer-system requirements for use with Capture™ and Studio One®.
The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.
Microphone Preamp |
|
---|---|
Type | XLR Female, Class A |
Maximum Input level (unity gain) | Mono Channels +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB |
Gain Control Range | Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/- 1.5 dB |
S/N Ratio to Outputs (+4 dBu) | 89 dB |
THD+N (min. gain, A-wtd) | < 0.01% |
Input Impedance | 1 kΩ |
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) | Mono Channels: < 128 dBu, Stereo Channels: <120 dBu |
Common Mode Rejection Ratio (1 kHz, +55 dB gain) | 65 dB |
Phantom Power | +48V, ±3V, Global |
Note: All Channel Inputs sum through Mic preamp |
Instrument Inputs |
|
---|---|
Type | ¼” TS Female, Unbalanced, Hi-Z |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | +12 dBu ±1.0 dB |
Gain Control Range | 50 dB, ±1 dB (Unity to +50 dB) |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (min. gain, A-wtd) | > 105 dB |
Dynamic Range (mid. Gain, unwtd) | > 108 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
THD+N (1 kHz, -1 dBFS, unwtd) | < 0.01% |
Input Impedance | > 1 MΩ |
Note: All Channel Inputs sum through Mic preamp |
Line Inputs |
|
---|---|
Type | ¼” TRS Female, Balanced |
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) | Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB |
Gain Control Range | Mono Channels 50 dB, ±1 dB (-30 to +20 dB), Stereo Channel 50 dB, ±1 dB (-15 to +25 dB) |
Frequency Response to Analog Outputs | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Frequency Response to USB (Direct) | 20 Hz to 20 kHz, +0.5/-1.5 dB |
S/N Ratio to Analog Outputs (+4 dBu) | 82 dB |
THD+N (1 kHz, -1 dBFS, A-wtd) | < 0.01% |
Input Impedance (Balanced) | 10 kΩ |
Note: All Channel Inputs sum through Mic preamp |
Main, Control Room, Monitor, and FX Outputs |
|
---|---|
Type (Main Outputs) | XLR Male, Impedance Balanced |
Type (Control Room, Monitor, FX Outputs) | ¼” TRS Female, Balanced |
Rated Output Level (Main Outputs) | +24 dBu, ±1.0 dB |
Rated Outputs Level (Control Room, Monitor, FX Outputs) | +18 dBu |
Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) | > 108 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
Output Impedance | 100 Ω |
Headphone Output |
|
---|---|
Type | ¼” TRS Female, Stereo, Unbalanced |
Maximum Output Level | 150 mW/channel @ 60 Ω |
Frequency Response | 20 Hz to 20 kHz, +0.5/-1.5 dB |
Dynamic Range (A-wtd) | > 103 dB |
THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) | < 0.01% |
System Crosstalk |
|
---|---|
Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) | -85 dBu |
Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) | -80 dBu |
Signal Level LED |
|
---|---|
Signal | -30 dBFS (pre-EQ) |
Clip | -3.0 dB before clip (pre- or post-EQ) |
Channel EQ |
|
---|---|
Low Cut | 100 Hz, -18 dB/Octave |
High Shelving | ±15 dB @ 12 kHz |
Mid Peaking (Mono Channels) | ±15 dB @ 140 Hz to 3.5 kHz (variable) |
Mid Peaking (Stereo Channels) | ±15 dB @ 2.5 kHz |
Mid-Band Q | Boost: 0.55, Cut: 2.5 |
Low Shelving | ±15 dB @ 80 Hz |
Audio Interface |
|
---|---|
Host Interface | USB 2.0 |
ADC Dynamic Range (Component) | 114 dB |
ADC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
DAC Dynamic Range (Component) | 114 dB |
DAC Dynamic Range (Measured: A-wtd, 48 kHz) | 105 dB |
Signal-to-Noise (a-weighted) | -96 dB |
Bit Depth | 24 bits |
Internally Supported Sample Rates | 44.1, 48, 88.2, 96 kHz |
Jitter | < 80 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | > 60 dB (1 ns in => 1 ps out) |
SD™ Recorder |
|
---|---|
Supported Media Format | FAT16 formatted SD™ card, FAT32 formatted SDHC™ card |
Media Storage Capacity | SD card: 2 GB; SDHC card: 32 GB |
Recording File Format | Stereo WAV |
Playback File Formats | Stereo WAV, MP3 (96-320 kbs, 32 / 44.1 / 48 kHz) |
Sampling Rate (WAV) | 44.1 kHz |
Bit Depth | Recording: 24 bits, Playback: 16- or 24-bit |
Power / Environmental |
|
---|---|
Connector | IEC |
Input Voltage Range | 90 to 240 VAC |
Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
---|---|
Height | 3.7” (95 mm) |
Width (Chassis only) | 23” (584 mm) |
Depth | 15” (390 mm) |
Weight | 17.2 lbs (7.8 kg) |
Since 2004, MIC18 has been selling professional audio products in Hong Kong.
Professional audio shop in Hong Kong.
產品包括: 錄音器材 / 拍攝收音 / PA 系統
服務對象: 個人零售 / 音響出租公司 / Event 公司 / 批發業務
服務地區: 香港及澳門 | We serve in Hong Kong & Macau
Shure 產品 (香港/澳門) 代理商
Harman 產品 (香港/澳門) 代理商: JBL / Crown
香港新界葵興大連排道21-33號宏達工業中心7樓10室
Room 10, 7th Floor, Vanta Industrial Centre,21-33 Tai Lin Pai Road,Kwai Hing, NT, Hong Kong
mic18.com
0930 - 7pm
0930 to 5pm
Sunday / PB
Closed